• About | À propos
  • Calendar | Calendrier
  • Where to find my work | Où trouver mes pièces?

Studio GPG

~ Art of a quiet nature by Géraldine Petit-Gras – Ceramic Artist (Ottawa, ON)

Studio GPG

Tag Archives: tip

Studio material – handbuilding board

24 Monday Nov 2014

Posted by StudioGPG.com in Tips | Trucs et astuces

≈ Leave a comment

Tags

board, handbuilding, Studio, tip

Most of the ceramic studios I know use particle boards as working surfaces for handbuilding. Personally, I find them heavy and they don’t withstand cleaning properly. Over time corners chip and the surface warps. I got from Canus Plastics (a local manufacturer of anything plastic) some free Plexiglas pieces (most likely not the accurate term for it, I don’t know my plastics as well as they do) that I use as boards. They have a bin at the entrance of the store where they give away loose ends and other odd ends, so this allows artists to recycle theses products. With the right thickness, they don’t warp under the weight of the pieces when moving them around and they clean easily.
Here is one of my boards:

Plexiglass board.

Plexiglass board.

I cut some newspaper (2 pages-thick) using the sides of the board so it fits its size prior to working on my pieces so that the clay won’t stick to the board.

Newspaper on board (2 pages-thick).

Newspaper on board (2 pages-thick).

I often place the board on a banding wheel to work on the piece. Once I am done with the piece, I can put it on my shelf to dry covered with a plastic bag. Right now I have a metallic shelving space to put my work to dry and it is warped, so I am glad my Plexiglas stays flat. When shelving space has been too little I have stacked my boards on top of each other using some stilts just like for kiln shelves.

Cut out pieces on the board.

Cut out pieces on the board.

Patterns

16 Sunday Nov 2014

Posted by StudioGPG.com in Tips | Trucs et astuces

≈ Leave a comment

Tags

Laguna Frost, pattern, porcelain, porcelaine, sculpture, tip, trucs

For test tiles and other shapes that I will reuse, I make patterns out of transparent and soft plastic folders (found at the Dollar store). It is particularly good when making series (production work) and you want to save some time. Below is an example for a pair of Christmas Sale seahorse wall pieces. I always start with a sketch (although I could, I choose not to trace directly from a picture).

Sketches for seahorse patterns.

Sketches for seahorse patterns.

Then I trace the shape on the plastic folder with a permanent marker, cut the piece out, et voilà! Easy to use, easy to clean and it can be used on both sides.

Seahorse patterns (cut out after tracing them from sketches).

Seahorse patterns (cut out after tracing them from sketches).

For test tiles, once I cut a piece in clay I then proceed with stamping a piece of coral and a pencil to make shallow and deeper marks. I also bending the tail so I can get as much information as possible about the glaze’s behaviour. You can see pictures of my test tiles in my previous post on Test tiles.

Test tile pattern.

Test tile pattern.

Here are the rest of my patterns (including the ones I made for my Business Card holders (in case one of them brakes…).
P1060184_s

 

Test tiles

25 Saturday Oct 2014

Posted by StudioGPG.com in Artist residency, News | Nouvelles, Tips | Trucs et astuces

≈ 1 Comment

Tags

Glaze recipe, Glue-Glaze, Test Tile, tip

Test tiles are often hung on a board in ceramic studios. Early on I decided mine would keep the marine quality of my work so I opted for the shape of a fish. 🙂

Bisqued test tile - Front
Bisqued test tile – Front
Bisqued test tile - Back
Bisqued test tile – Back

I was recently told by the tech. at the studio that my work would be fired at Cone 6 only. That presented a problem for me since the glue-glaze I use achieves best results (meaning it doesn’t melt much once fired) at Cone 5. This recipe which is a favorite of mine for decorating my work was passed down to me by a fellow potter I am honored to call my friend, Leta Cormier. It is usually used to mend cracks on pots and is meant to be fired at Cone 6 to 8. However at the previous studio I was working from, firing was done at Cone 5 to minimize breakage for kids works. This is how I discovered that Cone 5 made it more interesting to me as it allows for decorative work. So now I am faced with changing the recipe to make it withstand the temperatures of a Cone 6. I used the  Glaze Simulator online software to adjust my ingredients.

Glue-glaze recipe Cone 5 (original):

  • 1 part EPK
  • 1 part Nepheline Syenite
  • 1 part Soda Ash (a.k.a Sodium Carbonate)

NEW Glue-Glaze recipe for Cone 6:

  • 40% EPK
  • 30% Nepheline Syenite
  • 30%part Soda Ash (a.k.a Sodium Carbonate)
Left: Cone 5 Glue-Glaze (very white on white) Right: Cone 6 Glue-Glaze (more yellow due to the presence of more clay in the recipe)
Cone 5 Glue-Glaze
Cone 6 Glue-Glaze

Left: Cone 5 Glue-Glaze + sprayed on Zakin Green Right: Cone 6 Glue-Glaze + sprayed on Zakin Green
Cone 5 Glue-Glaze + sprayed on Zakin Green (it melted too much for my liking)
Cone 5 Glue-Glaze + sprayed on Zakin Green (I thought I would try a seahorse pattern)

Calendar | Calendrier

Calendar | Calendrier

Curator/Manager/Artist

Galerie Côté CréationsMarch 31, 2019
Between June 2016 and March 2019 I was the Manager/ Curator/Artist at this Gallery located in Westboro: 98 Richmond Rd, Ottawa (across the CIBC). It is now permanently closed. Entre juin 2016 et mars 2019, j’étais Directrice/Curatrice/Artiste de cette Galerie située dans westboro : 98, chemin Richmond (en face du CIBC). Elle est fermée pour cessation d’activité.

Archives

Categories | Catégories

Blogroll

  • Art by IN FLUX
  • La Fab
  • Ontario Arts Council | Conseil des arts de l'Ontario
  • OSA – La Fab (Collaborative Project)
  • Studio GPG – Facebook Page
  • Studio GPG – Website

RSS Links

RSS Feed

Link to Studio GPG - Facebook
Link to Studio GPG - YouTube
Link to Studio GPG - Website
Ontario Arts Council | Conseil des arts de l'Ontario

Create a free website or blog at WordPress.com.

Cancel

 
Loading Comments...
Comment
    ×
    Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
    To find out more, including how to control cookies, see here: Cookie Policy